Loss in Light of the Last Things: Christianity, Eschatology, and Grief in Inside Out

With reference to the film Inside Out, we show how Christian eschatology helps us understand the personal experience of grieving loss, generated by capital’s demands for labor hypermobility and its resultant disjunctures in a person’s biography. Inside Out cinematically portrays, in seemingly unremarkable moments, an inbreaking of a redemptive eschatological moment. We organize our case around two eschatological themes, those of judgement and death. The first section links a person’s affective experience, the structures that generate those experiences, and the last things; we make our case using Merleau-Ponty’s account of the intervolved body and Affect Theory’s relationship to Foucauldian power. The second section investigates what becomes of loss and restoration when they are refracted eschatologically, using Guardini’s idea of biographical death, Critical Theory’s conception of the Messianic, and Bonaventure’s conception of the convergence of opposites. We ultimately propose that, seen in the light of the last things, grieving over loss and its opposite, the restoration of what was lost, converge into one and the same thing. A third section will circle back to Inside Out and highlight the contours of the restoration of that which was lost in light of the two eschatological themes above.